Hauptwerk Prague Baroque Organ
P2P | Nov 23, 2012 | 5.52 GB
While many virtual models of organs have one specific instrument as the template, we decided to take different approach this time. The advantage of presenting a “South German Organ Model” without a direct connection to certain specific instrument is that it is more clearly shown that all the organs of this family in the given period are quite similar to each other and have many common characteristics, in spite of their differences. These common characteristics of the south German organ building school are: an instrument with two short-octave manuals where the Rückpositiv is shaped to be the “smaller brother” of the Hauptwerk for dynamic and spatial contrast; limited pedal division of 18 tones; mild Principals with an expressive speech even on very low wind pressures; sparkling and light sound of numerous mixtures which often include a tierce rank; great variety of flute stops including the typical wooden Copulas -thinner Gedackts- with non-imitable “chiff”; predominant labial character of the instrument accentuated by total absence of reed stops (with the exception of occasional Fagot-like pedal stop with wooden resonators), early appearance of strings. Anyway, it is good to point out at least two instruments which are probably the most excellent examples of the South German organ building school, milestones marking the boundaries of the given period.