Magesy® R-Evolution™
  • dpMeterXT2 v2.0.1 WiN-R2R
    21 February 2020
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    dpMeterXT2 v2.0.1 WiN

    TEAM R2R | 20.02.2020 | 5.27 MB

    PLATFORM: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED)

    dpMeterXT2 is a loudness metering plugin and application fully compliant with the EBU R128-2014, ITU-R BS.1770-4, ATSC A/85 and several other regionspecific loudness standards. dpMeterXT2 is the sucessor of dpMeterXT. dpMeterXT2 supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities.EBUR128 It features large readouts, meters, graphs, loudness/peak prediction, measurement history and datalogging. With dpMeterXT2, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).

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    1784
  • FinalLoud 2 v2.0.6 AAX VST VST3 RTAS x86 x64 WiN-R2R
    21 February 2020
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    FinalLoud v2.0.6 WiN

    Team R2R | 20.02.2020 | 3.5 MB

    (WiN32/64; AAX*, RTAS, VST3, VST)

    FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.

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    1439
  • 2BC multiCORR v1.1.6 WiN-R2R
    15 January 2020
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    2BC multiCORR v1.1.6 WiN

    Team R2R | 15 Jan 2020 | 4.0 MB

    PLATFORM: WiN64 – EXE/VST/VST3/AAX(MODiFiED)

    Why do you need a multiband correlation meter? Broadband meters don’t always show you potential trouble areas. Multiband approach warns you not to overdo stereo spread, or when your stereo room mics are delivering too much out–of–phase content. Either way, you’d get cancellation when your mix is summed to mono. Correlation measures the degree of relatedness between left and right channel. If both channels are alike, that’s mono, and they will have perfect correlation. When content is present in one channel, and an inverted phase version is in the other channel, that sums to zero in mono and the audio disappears. If your material is destined for LP distribution, keep in mind that lacquer cutting has difficulty with large amplitude, out–of–phase information at very low frequencies. 2BC multiCORR provides four bands of analysis for the critical bottom octave, six additional bands of metering covering frequencies up to 200 Hz, plus three additional band for the 200 to 400 Hz range.

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    1085
  • OVC-128 v1.4 WiN MAC-R2R
    14 January 2020
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    OVC-128 v1.4 WiN MAC

    Team R2R | 14 Jan 2020 | WiN: 6.5 MB | OSX: 15.6 MB

    …::: AU, AAX, VST, VST3, x86, x64 :::…

    OVC-128, a massively-oversampled soft/hard clipping effect plug-in for professional music production applications, available in AAX, AudioUnit, VST and VST3 plug-in formats (including native 64-bit support), for macOS (v10.7 and later), and Windows computers. OVC-128 is a massively-oversampled soft/hard clipping effect plug-in for professional music production applications. A common use for this plug-in is hard-clipping before the final peak limiter. This is an effective approach in contemporary electronic music when loudness is boosted using a clipper plug-in while minor excessive peaks are absorbed by a final peak limiter that applies no additional gain itself. Clipping the tracks via OVC-128 is practically similar to clipping using high-quality outboard analog gear. At 44.1kHz source sample rate, the internal audio sample rate of OVC-128 is a whopping 5.6 MHz!

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    2607
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  • Rudimentary Odd Meter Drums MULTiFORMAT
    20 November 2019
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    Rudimentary Odd Meter Drums

    AUDIOSTRiKE | 14/08/2015 | MULTi: 2.52 GB | KONTAKT: 1.26 GB

    Rudimentary: Odd Meter Drums draws outside the lines when it comes to traditional time signatures. These drum and percussion loops have been recorded in 3-4, 5-4, 5-8, 7-4, 7-8, 9-8, 11-4, 11-8, 13-4, 13-8, and 15-8 time signatures with BPM’s ranging from 70 to 150. Each fully fleshed out session includes main mixes for quick and easy arrangement, and a full suite of stems for more in-depth mixing. Each set of stems includes loops from five different mic positions: Kick, Snare, HiHat, Toms and Overheads. If you are looking for that perfect odd time beat, or just something different to make a project unique, Rudimentary: Odd Meter Drums has what you need. Additionally, Rudimentary: Odd Meter Drums includes Kontakt patches to make arranging, mixing and writing even easier utilizing the powerful Kontakt 5 interface. Each patch includes both stereo mixes of each section, and individual stems for those sections. Stereo mix files begin on C1 with blue keys, Stem files begin on C3 with green keys. Kontakt also comes with an entire rack of FX for dialing in the perfect sound to fit your track.

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    4226
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  • dpMeterXT v1.3.6 AAX AU VST VST3 RTAS STANDALONE x86 x64 WiN MAC-R2R
    7 October 2019
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    dpMeterXT v1.3.6 WiN MAC

    Team R2R | 04.10.2019 | WiN: 5.4 MB | MAC: 5.84 MB

    PLATFORM : WiN/MAC 32/64 – AU/STANDALONE/VST/VST3/RTAS/AAX(PATCHED)

    dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128, ITU-R BS.1770/1771, ATSC A/85 and several other regionspecific loudness standards. dPMeterXT supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities. It features large readouts, meters, graphs, measurement history anddatalogging. With dpMeterXT, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).

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    8532
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