Magesy® R-Evolution™
  • WiDE X v1.2 VST2 x86 WiN
    29 February 2020
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    WiDE X v1.2 VST2 x86 WiN

    TALULA/MG | 29.02.2020 | 2.99 MB

    Stereo Tool for Bus or Mastering

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    872
  • Softube Plug-Ins v2.2.76 WiN-AudioUTOPiA
    28 February 2020
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    Softube Plug-Ins v2.2.76 WiN

    AudioUTOPiA | 19 Dec 2015 | x64: 932.1 MB | x86: 961.6 MB

    …::: VST2, VST3, x86, x64 :::…

    Softube develops both hardware and software for the audio industry. A number of high-end computer recording plug-ins are available under the Softube brand and the company has done development for reputable companies such as Marshall (Marshall JMD:1 Amplifier), Fender (Fender Runaway Pedal), Abbey Road Studios, Native Instruments, Ableton (Ableton Amp) and TC Electronic, as well as partnering up with Universal Audio (Amp Room for Universal Audio), Propellerheads (Rack Extensions for Propellerhead Reason), Cakewalk (Cakewalk SONAR ProChannel Modules), Presonus and Avid. Our own plug-ins are the products of partnerships with great hardware manufacturers, such as Solid State Logic, Abbey Road Studios, Trident Audio Developments, Valley People, Tube-Tech, Summit Audio, Tonelux Designs and Mutronics.

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    40908
  • Ample Guitar LP III v3.0.0 WiN-R2R
    24 February 2020
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    Ample Guitar LP III v3.0.0 WiN

    Team R2R | 24 Feb 2020 | 5.97 GB

    …::: STANDALONE, VSTi, VST3, AAX, x64 :::…

    Ample Guitar LP III aim to bring a Gibson Les Paul 1958 Reissue guitar sound to your studio.

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    1967
  • Lurssen Mastering Console v1.1.0x WiN MAC-R2R
    21 February 2020

    Lurssen Mastering Console v1.1.0x WiN MAC

    Team R2R | 21.02.2020 | WiN: 127 MB | OSX: 141.01 MB

    STANDALONE, Audio Units, VST2, VST3, AAX

    Master your music with the secret techniques, workflow and world-renowned know-how of Lurssen Mastering Lurssen Mastering Console is a groundbreaking new mastering tool for either iPad or Mac/PC that puts a lifetime’s worth of professional mastering experience at your fingertips. Created in collaboration with Mastering Engineers Gavin Lurssen and Reuben Cohen of Multi Grammy Award winning facility Lurssen Mastering in Los Angeles, it puts you at the controls in the studio with all of the secret tools, settings and techniques that have made the Lurssen sound so sought after by the world’s top-tier recording artists and producers.

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    29884
  • Mikron Compressor v1.0.0 WiN FiXED-R2R
    27 January 2020
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    Mikron Compressor v1.0.0 WiN

    TEAM R2R | 25.01.2020 | 7.17 MB

    PLATFORM: WiN32/64 – VST/VST2/AAX(MODiFiED)

    Mikron Compressor is an easy to use compressor that can go from very transparent to warm and powerful. It has the same high quality sound as its big brother Big Blue Compressor. But its mode of operation has been compressed into only a few intuitive knobs. However, don’t let the looks deceive you. Despite its apparent simplicity the plugin still offers a great amount of flexibility. With shorter attack times the sound will be very clean and smooth. Longer attack times in combination with the Choke knob will let you achieve vintage tube compressor style coloration. Or you can make the sound really dirty, and use the Mix knob for some ‘New York compression’. With a latency of only 1 millisecond Mikron Compressor is not only suited for mixing and mastering, but also for live performances.

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  • Mikron Phaser v1.0.0 WiN-R2R
    16 January 2020
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    Mikron Phaser v1.0.0 WiN

    TEAM R2R | 16.01.2020 | 7.67 MB

    PLATFORM: WiN32/64 – VST/VST2/AAX(MODiFiED)

    Mikron Phaser was modeled after the legendary Small Stone Phaser, a stomp box effect designed by one of our all-time heroes: David Cockerell. The effect was made particularly famous by the French composer Jean Michel Jarre who used it extensively on his recordings as a synthesizer effect. But of course it was used by countless legendary bands on guitar as well. The Police, Led Zeppelin, do we need say more? If you ask us, Small Stone Phaser is without doubt the best phaser ever made. It has a smooth, vibrant seventies sound that will never grow old, and is equally suited for guitar and synthesizer, and let’s not forget the bass. While we tried to replicate the original sound of Small Stone Phaser as accurately as possible, we added a few modern details as well. First of all, it’s stereo. Secondly you can set not only the LFO rate and the ‘color’ of the phaser, but also adapt the center frequency, the degrees that the LFO’s will be out of phase, and how much the pitch will be modulated up and down. And finally the bass and treble knobs are a nice addition that can help sometimes to get the sound ‘just right’, to let it fit a little better in the mix.

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